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| Greek drama originated out of the? |
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| A group who sang and danced |
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| Credited to have stepped out of the chorus to become first actor |
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| Increased Realism, presented sympathetic portrayals of women. |
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| Aristophanes and Old Comedy |
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| Makes fun of social, political conditions |
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| was used as an acting area |
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| Based on domestic situation and stock characters |
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| Tragedies of Seneca influenced renaissance drama? |
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1)divided into five episodes
2)interest in morality
3)Scenes of violence and horror
4)Preoccupation with magic
5)Creation of Characters
6)Use of soliloques |
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| Used for seating audience |
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| For western drama, the fall of rome in 476? |
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| marks the end of organized theater and drama |
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| controls every element of society |
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| enacted inside the church. Built around bible stories. |
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| performed outside of the church, they dealt with biblical and other religions |
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| Dramatizing series of biblical events. |
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| dramatizing the lives of the saints |
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| the use of religious characters to teach a moral lesson |
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| Mansions and pageant wagons? |
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| house the individual scenic units devices for each plays in a cycle |
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| influenced by the early roman-Atellan forces |
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| drama should be "true to life" |
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| royalty and must have a sad ending |
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| common people and end happily |
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| was to teach a moral lesson |
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1)Proscenium arch and perspective scenery
2)wing and shutters
3)pole and chariot |
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| Audience area consisting of? |
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| Theatre corrales architecture? |
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| similar to the theaters in england |
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| seperate are for unaccompanied women |
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| France was heavily influenced by? |
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| Italian theatre architecture and dramatic forms. |
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| Pierre corneille's the Cid and Jen Racine's Phaedra |
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| Moliere's Tartuffe and The Miser |
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| english restoration theater? |
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| combined the best elements from renaissance drama |
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| Comedies called comedies of manners |
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| Like comedies of manners, except it reaffirmed middle class morality. |
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| focused on the gulf between human beings. |
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| realistic settings. Emphasis in surface effects. |
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| could be raised by elevators or flown un from above |
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| everything onstage is made to resemble observable, everyday life. |
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| everything onstage is made to resemble observable, everyday life. |
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| highly subjective, the dramatic action is seen through the eyes of the protagonist. |
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| episodic in structure, the purpose of theatre is to instruct. |
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| designers adolphe appia and edward craig |
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| director vsevolod meyerhold's |
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| include the use of found spaces |
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| a type of realism that heightens certain details of action,scenery, and dialogue |
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| present our existence, including human relationships and human language. |
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| unstructured events that occured with a minimum of planning and organization. |
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| treat the entire theater space as a performance area |
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