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| ultimate authority who secures rights to the play, hires director, designer, crew, etc.; finds theater and finantial backing |
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| artistic manager and inspirational leader; coordinated work with actors, designers, and crew; responsible for the creative interpretation |
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| coordinates timing of plays (design, rehersals/construction, tech/dress rehersals, performances) |
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| assists director in rehersals, is responsible for all backstage activity while a show is running |
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| visual appearance and function of scenic and prop elements |
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| paints and supervises the painting of scenery |
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| design and construction of props |
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| constructs and acquires all props |
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| master carpenter or technical administrator depending on size of theatre |
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| construction, mounting, and rigging of scenery |
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| constructs scenery and props |
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| design, installation and operation of lights and special effects; more artistic side of design |
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| Assistant Lighting Designer |
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| creates and updates paperwork for lighting design; more administrative side |
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| implements the lighting design; acquisition, implementation, installation, and maintenance of equipment |
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| hanging team, focusing team, and running team |
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| visual appearance of the actors |
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| builds or supervises the building of costumes |
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| cutter/draper, first hand, stitchers, dyer/painter, milliner, wigmaster |
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| turns costume designer's sketches into reality |
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| supervises the construction of costumes; may assist the cutter/draper |
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| uses machines or hands to piece together the costumes |
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| makes, styles, and arranges wigs |
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| visual appearance of makeup |
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| assists actors in or applies makeup for actors |
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| design, recording, equipment setup, and playback |
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| does the recording and playback for designer; responsible for any sound-reinforcement systems |
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