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Composition Study for Guernica
Pablo Picasso |
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The Singer in Green
Edgar Degas |
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The School of Athens
Raphael |
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Man in a Red Turban
Jan van Eyck |
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Saint Jerome in his Study
Albrecht Durer |
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The Judgment of Paris
Marcantonio Raimondi, after Raphael |
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Self Portrait with Hand on Her Forehead
Kathe Kollwitz |
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La Goulue at the Moulin Rouge
Henri de Toulouse-Lautrec |
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Michael Jackson and Bubbles
Jeff Koons |
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Royal Tide II
Louise Nevelson |
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The Dying Slave
Michaelangelo |
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Female Figure from Willendorf
23,000 bce |
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The Gates
Christo and Jean-Claude |
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Blackware Pots
Maria Martinez (San Ildefonso Pueblo) |
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Library Table
Gustav Stickley's Craftsman Workshop |
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Tree of Jesse
Chartres Cathedral |
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Guggenheim Museum, Spain
Frank Gehry |
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Langston Hughes Library
Maya Lin |
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Glidehouse
Michelle Kaufmann |
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Definition
a. Material from which a work of art is made
b. Standard category of art
c. A liquid compounded with pigment to create paint |
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| The surface on which a work of art is made |
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| Pure color in powder or liquid form |
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| Causes particles of pigment to adhere to one another and to a support |
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| Full size drawing in preparation for a fresco or a mural |
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Definition
| Oil painting technique where paint is build up quick and creates visual texture |
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| Thin vail of translucent color that helps an artist make subtle adjustments in an image |
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| Pigment compounded with oil - paint stays workable for a long time |
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| Synthetic plastic resin used as a binder for artist paints |
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Definition
| Pigment mixed with milk or egg yolks diluted with water |
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| Pigment mixed with water and arabic gum |
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| Watercolor with inert white pigment added |
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| Pigments mixed with water and applied to a plaster support |
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| Refers to works that are made with pigment combined with wax |
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| The effects of printmaking on literacy and access to artistic images |
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Definition
| Printmaking increased the literacy of the common public and made otherwise expensive artwork obtainable to the common public |
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| The surface on which a design is prepared before being transferred to a support |
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| Declared limit to the number of impressions that will be made from a plate |
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| Printmaker as a Collaborator |
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| Printmaker is part of the process of artistic print making |
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| What is the goal of Graphic Design |
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Definition
| To communicate a specific message, meant to influence the viewer |
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| What similarities exist between graphic design and other art-making media? Are there any differences? |
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Definition
| They share similar visual elements and rules of composition but the goals are different between them |
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| Additive Sculpting Methods |
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| Assemblage, Casting, Modeling |
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| Subtractive Sculpting Methods |
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| Manipulating a plastic material such as clay or wax to create a form |
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| A mass of material that is shaped by cutting and/or abrasion |
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| Creating a sculpture by grouping or piecing together distinct elements |
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| The process of making a sculpture or some other object by pouring a liquid into a mold, letting it harden, and then releasing it. |
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| Counter movement to the Industrial Revolution |
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| What are the religious functions of stained glass? Did the invention of the printing press change those functions? |
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Definition
| Stained glass was used to teach the illiterate about religion but after the invention of the printing press, stained glass shifted to an aesthetic experience |
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Term
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Definition
one building material provides support and sheathing
stacked one on top of another |
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Definition
| a rigid boney skeleton acts as a basic frame with a more fragile skin for sheathing |
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| How did the Industrial Revolution affect architectural technology? |
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Definition
| Created new materials that could be massed produced, Skeleton & Skin system became more widely used, available to the general public, allowed for an increase in population density |
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Definition
| Smaller more energy efficient buildings built with less toxic materials |
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