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| subject furthest away form the cam. |
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full body
filling up the screen |
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| ex. eye, nose, fingernail |
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| everything in the cam is in focus |
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horizontal movement of cam
sitting in one place |
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| vertical movement of the cam |
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in foc. then out foc.
obj. switch |
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start far away and move closer.
ex. from library to coed. to students talking |
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| ex. filming from an air ballon or airplane |
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| same level as the subject |
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| temporarily believe in the world |
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| establishes scene &/or subject |
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| ex. a guy walks through the door and ges to his seat, but sections are taken out to make it seem short |
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| creates suspension of disbelief |
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| a closer part of a larger picture, overal action in a particular scene |
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| two people taling, one is talking, but the cam is looking at the person listening, reation to what happened of the screen. |
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| parallel editing/cross cutting |
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exact same meaning
world still revolving
ex. love actually
valentine's day |
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bright and even
make out entire image |
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dark or dull
uneven lighting
not able to make out film |
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| exist in very dark or very bright light |
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| dramatic, dark film, lighting used to make a representation, make a choice |
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| combination of everything; light, comp, angle, etc. |
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| using non-actors shot on location |
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