Term
Eccyclema (ekkylema)
{Greek} |
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Definition
| wheeled cart that brought on bodies. |
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Term
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Definition
| 3 sided object that spun to change the scene. |
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Term
(Dues Ex) Machina
{Greek} |
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Definition
| God from the machine, makes everything right. |
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Term
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Definition
| Steeply ranked seating area for the audience in a Greek theatre. |
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Term
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Definition
| the circular area on which the majority of the action of the play took place. |
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Definition
| wall or fascade to hide backstage action. |
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Definition
| long, high walls that extend on either side of and parallel with the skene. |
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Definition
| a collumned arch that supported a porch like projection from the upper floor to the skene. |
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Definition
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Term
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Definition
| Roman term for auditorium. |
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Definition
| an elaborately decorated facade or wall that was located at the rear of the stage. |
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Definition
| Front curtain that in early Roman theatres was lowered into a slot. |
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Definition
| Back curtain that covered the back of the stage and provided a background. |
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Definition
| Canvas ovelay on ropes and pulleys to cover the audience. |
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Term
Platform Stage
{Medieval} |
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Definition
| Stages constructed ajacent to churches to teach religous doctrine. |
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Definition
| a bare platform backed with a plain curtain mounted on a wagon. |
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Definition
| Small scenic representations of the standard locations. |
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Definition
| The open acting area in front of the mansions. |
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Term
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Definition
| The name used to describe the stage machinery. |
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Term
Forced Perspective
{Renaissance 1500-1650} |
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Definition
| A process that creates apparent depth in asset by angling the horizontal line. |
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Term
Raked Stage
{Renaissance 1500-1650} |
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Definition
| A stage that is higher at the back than the front. |
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Term
Stock Sets
{Renaissance 1500-1650} |
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Definition
| Scenery designed to visually support a generalized location rather than a specific one. |
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Term
Drop
{Renaissance 1500-1650} |
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Definition
| A large expanse of cloth, ussually muslin or scenic canvas, on which something is usually painted. |
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Term
Pit
{Renaissance 1500-1650} |
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Definition
| The ground in front of the stage where the lower class audience stood to watch the play. |
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Term
Inner Below
{Renaissance 1500-1650} |
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Definition
| The curtained area at the upstage edge of the playing area. |
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Term
Inner Above
{Renaissance 1500-1650} |
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Definition
| The elevated area located directly above the inner below. |
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Term
Apron
{Renaissance 1500-1650} |
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Definition
| The flat extension of the stage floor that projects from the proscenium arch towards the audience. |
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Term
Wings
{Renaissance 1500-1650} |
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Definition
| The offstage space adjacent to the stage in a proscenium arch theatre. |
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Definition
| The flat extension of the stage floor that projects from the proscenuum arch towards the audience. |
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Term
Borders
{Modern 1650-1900} |
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Definition
| Wide,short, ftramed or unframed cloth drops suspended over the stage to prevent the audience from seeing above the stage. |
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Term
Elevator Traps
{Modern 1650-1900} |
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Definition
| A small elevator used to shift small pieces of scenery, or actor from under the stage. |
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Term
Elevator Stage
{Modern 1650-1900} |
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Definition
| A large elevator used to shift large scenic elements or whole sets between above and beneath stage. |
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Term
Revolving Stage
{Modern 1650-1900} |
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Definition
| Generally refrers to a revolve that is built into the stage floor as part of a theatres permenent equitment. |
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Term
Concentric Revolving Stage
{Modern 1650-1900}
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Definition
| A revolving stage with, usually, two sections, one rotating inside the other. |
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Term
Found Space
{Modern 1650-1900}
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Definition
| Structures that was originally designed for some other space and converted into a theatre performing space. |
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Term
Proscenium
{Modern 1650-1900} |
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Definition
| A stage configuration in which the spectators watch the action through an arch angular opening. |
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Term
Thrust
{Modern 1650-1900} |
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Definition
| A stage projecting into, and surronded on three sides by the audience. |
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Term
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Definition
| A stage completely surronded by the audience. |
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