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| language that describes qualities that cannot be perceived with the five senses |
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| character or force that blocks the protagonist |
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| writers reveal their character traits or special qualities, can be indirect or direct |
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| Language that describes qualities that can be perceived with the five senses as opposed to using abstract or generalized language. |
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| the conversation between characters in a play |
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| the character who changes in an important way |
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| the act of rebelling against an individual, or a group of people by rhetorical means |
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| scene in a movie or a play that interprets the present by going back to a former experience |
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| one or two key personal traits |
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| the use of clues that will later occur in the plot |
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| comparing two things using “like” or “as” |
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| a story’s atmosphere or its feeling evoked |
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| when non human like things are given human like qualities |
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| series of related events to make up a story or drama |
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| vantage point from which the story is told |
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| main character in a fiction or drama |
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| figure of speech that makes a comparison between two unlike things |
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| character with many traits and complexities |
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| using the five senses to describe something, using lots of adjectives |
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| the time and place of a play |
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| sub ordinate characters, don’t change |
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| speech where character says their feelings aloud |
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| event that stands for its self and for something beyond itself |
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| central idea of a work of literature |
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| attitude an author makes towards a subject |
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| character flaw that causes his fall |
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| type of writing that gives information or explains an idea |
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| spoken to the audience or to one character |
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| story that should be enacted live |
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| story told by a narrator in which the narrator does not know all the thoughts and feelings of a character |
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| story told by a narrator in which the narrator knows all the thoughts and feelings of a character |
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