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| Composition of lines with rhymes and rhythm |
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| Condensation of main ideas or stories |
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| Central thought of the poem |
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| Short story expressing the thoughts and feelings of a single speaker |
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| Poem that relates to a series of events |
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| A poem written as a speech made by a character |
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| Represents the voice of an imaginary character |
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| teaches a lesson or moral |
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| mood or attitude towards addressed noun |
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| comic critiquing poems with a message |
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| bitter irony intended to hurt or mock target |
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| Occurs when words say one thing but mean something else |
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| Sensing one thing when the writer is actually saying another |
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| speaking with discrepancies (saying something and meaning another) |
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| Similar to verbal irony but contains an element of contrast |
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| irony of fate. aspiration and the reaction of a hostile fate |
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| latin for mask, fictitious character created by author to tell a story |
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| collection of images in a poem |
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| Word for series of words that refers to any sensory experience. Direct or literal recreation of physical experience and adds immediacy to literary language |
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| Japanese verse that has three unrhymed lines of 5,7,5 syllables. Spiritual tone, relying on imagery, set in one of the four seasons. Modern Haiku’s ignore syllable count. |
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| A noun in a narrative that suggest meanings beyond its literal sense |
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| A description in a narrative. Has a literal meaning and a symbolic meaning. |
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| A description in a narrative. Has a literal meaning and a symbolic meaning. |
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| an action whose significance goes beyond its literal meaning |
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| Symbols that have acquired a standard meaning because they are use so much |
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