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| Usually a portrait, mounted on a stiff card |
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| A variation of the oil-pigment procell. It was exposed to a negative than bleached to eliminate the silver image and leaving an image in relief that will accept lithographic inc |
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| A shhet of paper or tissue is coated with gelatin containing a pigment and potassium bichromate. Rich brown or black color |
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| a positive, color transparency on glass |
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| an improved variation of fox talkbots salted paper process, it requires less exposure than salted paper but had to be chemically developed |
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| photographic journal, founded by stieglitz. went through 50 issues. most reproductions were printed separately on fine papers and hand-tipped into the magazine |
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| a color print made from transparencies or negatives onto a paper that has three emulsion layers. |
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| for making positive prints from color transparencies |
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| glass negative. it is as simple as drawing or etching upon a perpared peie of glass and using it as a negative to make a print on light sensitive material. |
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| a negative process on a glass plate. It is a substance that dries to a tough skin-like quality. Dries fast so has to by coated, sensitized, exposed and devoloped before it dries |
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| variations of collodion process |
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| ambrotype, tintype, carte-de-viste |
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| Collodion positive on glass. an underexposed or specially bleached collodion negative was found to appear positive when framed with a backing of black velvet. |
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| a collodion photograph made on a piece of iron painted black |
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| an albumen print made from a collodion glass negative and mounted on a stiff board |
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| for making multiple prints from a photographic nagative. Specialized processing resulted in a relief image on the glass that could be inked and printed |
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| merging of two or more negatives into a single print |
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| describes a photograph that displays and incrememnt of tonal change from the darkest possible tone to the lightest possible tone-a gradation of grays bewteen black and white |
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| paper is coated with a solution of ferric ammonium citrate and potassium ferricandide. The dried paper is exposed to the sun in contact with a negative. A deep prussian blue is produced. |
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| associated with 35mm street photography. associated with henri cartier-bresson. |
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| one-of-a-kind, direct positive image on a metal plate. The latent image is developed with heated mercury vapor. the image is laterally reversed and has a highly reflective surface. |
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| the area in front and behind the plane of critical focus in a photograph that is acceptably sharp. |
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| a common name given to small hand-held cameras in the late 19th century that utilized dry plates and were frequently designed to be concealed in clothing, a book, satchels, walking sticks even guns |
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| film recorders, ink jet print, thermal wax print, dye-sublimation print, electrostatic/laser printers, silver halide printer |
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| use cathode ray tubes to expose digital images from the computer onto conventional film. |
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| colored ink is sprayed out from up to 128 separate nozzles for better resolution |
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| excellent for producing non-photographic illustrations, but can't delived photographic quality. Low cost |
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| 300 dots per inch appear quite smooth adn continuous on these. |
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| electrostatic/laser printers |
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| four separate toner cartridges |
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| some digital printers can output to conventional photo papers using fiber optics. the paper can then be processed with traditional photographic chemistry |
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| large translucent painting lit from the front and behind. by moving a spectator through a variety of such painted backdrops, the illusion of reality was achieved. |
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| silver chloride paper was exposed to light until it turned black. there is no negative |
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| photographs made to record or interpret a subject, often with a preconceived veiwpoint or purpose in mind. |
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| a term first used by stieglitz referring to a photograph used as a visual metaphor. showing one thing by symbolizing another. |
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| organized by edward steichen in moma. 500 photographs from sixty country. wanted to illustrate the "essential oneness of mankind throughout the world" |
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| farm security administration |
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| they hired photographers to document the people and land affected by the depression |
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| FIFO, concieved by laszlo moholy-nagy. Focused on modernist european and american photography and included examples of avant-garde work, fashion, film stills, scientific and industrial photography |
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| the distance from the center of a lens to the point where light passing through the lens come into focus |
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| glass was coated wiht an emilsion consisting of light-sensitve silver halides suspended in gelatin. they were usable when dry and needed mush less light than collodion to effect and exposure |
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| standard black and white photographic print |
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| when exposure times were long, if a person or anything moved during the exposure a faint blurred impression was captured on a negative. |
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| an etching process modified to reproduce photographs. |
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| group of photographers including eward weston, ansel adams, that prefered sharp focus. The name f64 was takedn from the smalled sperture avaiable on large format view cameras and resulted in images of great clarity and depth of field |
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| diffuse and show little resolution and detail, sometimes resemble crayon or charcoal drawing |
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| a photographic reproduction (newspaper or magazine) created on a printing press from a metal plate |
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| niepce, a pewter plate is coated with a form of ashpalt that hardens when exposed to light. |
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| the invisible image created when light strikes photographic film or paper |
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| a group of pictorialist photographers who broke away from the photographic society. made photography fine art. |
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| term applied to the wprk of american landscape painters |
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| provided illumination for indoor or night photography |
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| emerson- nothing in nature is in sharp focus |
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| realistic figurative style |
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| any type of experimentation photography |
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| an unorganized group of photographers working in new york b/t the 2 world wars and in the fifties |
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| granular, uneven tone. pictorialist used this process due to its painterly qualities |
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| photographic material that is only sensitive to ble and green light |
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| a negative printed on a glass plate covered with a gelatin-silver emulsion. |
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| black and white photographic material that is sensitive to all colors of the visible spectrum |
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| talkbot, made negative prints wusing opaque items. as a process photogenic drawing paper is the same as salted paper |
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| a group of photographers organized by stieglitz who promoted photography as art |
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| combined silhouette with engraving |
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| photographers who though of themselves as artists using photography as a means of making rather than taking pictures |
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| also called platinotype a non-silver process using platinum and iron salts. |
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| this art is not illustrated by a particular style but rather by a collection o f ideas about how art funtions within the contemporary culture |
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| a photographic approach by jerry uelsman a darkroom is "a visual reserach lab; a place for discovery, ovservation and meditation" |
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| infinite number of copies could be made from each negative |
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| occurs when photographic film recieves an extreme overexposure that results in a reversal of tones after development |
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| ghostly impression in an image |
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| non-photographic manipulations |
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| consists of a pair of photographs of a sibgle sunject mounted on a horizontal card. |
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| alvin langdon coburn's abstract photographs made using three mirrors aranged like those found in a kaleidoscope beneath the lens of a photographic enlarger |
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| by gustave le gray and improvement of the calotype process. greather translucency and sharper |
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| a method of exposure and film development. involves analizing the muminances of significan areas of the subject. |
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