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analysis or interpretation, esp of a literary
passage or work or philosophical doctrine |
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Category of works of art, characterized
for it's form, style purpose
ex. fiction, poetry, drama |
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| In satire, vices, follies, abuses, and shortcomings are held up toridicule, ideally with the intent of shaming individuals, and society itself, into improvement. |
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Word Choice
formal or informal |
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| Stories about imaginary ideas or people |
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| can be read in a single setting, 1,000 to 20,000 words |
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| a work of proposed fiction 40,000 words |
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| narrator or storyteller in the reading |
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I" or "we" serves as the narrator of a piece of fiction.
it also limits the reader to that one perspective
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relates all action in third person, using third person pronouns such as "he" or "she."
Third person point of view may be omniscient or limited.
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| introduces characters the situtation they are are in time and place of the setting and reveals conflict |
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| the turning point, the point at the most intensity |
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| release of the tension moves toward to resolution |
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A foil is a character who serves as a contrast to
another perhaps more primary character,
so as to point out specific traits of the primary character.
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| the stressed/unstresssed syllable rhythm |
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| making stressed and unstressed in a poem |
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repetition of a particular sound in the first
syllables of a series of words and/or phrases |
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refrain of vowel sounds to create internal rhyming
within phrases or sentences, and together with alliteration
and consonance serves as one of the building blocks of verse |
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word that imitates or suggests the source of the sound that it describes.
BAM OINK RAWR |
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fiction about fiction
a story within a story to help explain the story we are reading
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| hills like white elephants |
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| my mistress eyes nothing like the sun |
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