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| a group that shares common characteristics |
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| individuals become members by choice or chance |
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| oral, aural, visual, written |
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| circumstances of performance |
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| stories about the self told in ordinary conversations with friends, peers, or family members |
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| text connecting different types of text |
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| multiple voices conveying many perspectives and embodying different cultural values which combine to create an open-ended forum |
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| minimal units of meaning that cannot be broken down into smaller units of meaning |
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| nonverbal elements of speech |
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| action, event, or object perceived as a unified whole, having widely shared meanings and manifesting group identifications |
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| to support the status quo |
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| to go against the status quo |
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| the condition or state of affairs that currently exists |
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| the ways in which signs influence people |
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| ability to control events and meanings |
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| the social and political forces that influence what elements of a culture are featured or suppressed |
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| system of belief characteristic to a group |
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| a group defines itself by contrasting it with other groups |
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| condition in which a sociocultural group (or its most perceptive members) reflect back upon themselves |
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| complex performance event and ritual that involves various combinatios of dancing, singing, chanting, and speaking |
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| one group makes fun of another group verbally, nonverbally, or both |
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| group members who breaks the norm synchroniztion and unity that attempt to get greater audience response |
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| studied personal narratives |
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| wrote the article on stepping, saluting, cracking, and freaking |
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| wrote breast cancer tattoo and the narrative of performance identity |
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| studies the ethical dimensions of ethnography of performance |
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| studies facial expressions and lying |
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