Term
| Audio system used to bring vocals and other instruments into the very front portion of the audience between the audience left and right speakers. |
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| Ability to fill a venue with sound |
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| Device controls the voltage being sent to the lighting instruments, allowing brightness to be varied at will. |
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| Computer programming code allows for the recording, storing and playback of the lighting changes and movements used during a performance. |
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Term
| Audio console generates audio heard by the audience at a performance. |
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Term
| Ability to fill venue with sound, devoid of distortion or feedback |
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Term
| process of displaying images on screens and projecting them on various surfaces during show. |
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Definition
| I-Mag (Image magnification) |
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Term
| Ability to fill venue with well-distributed, clearly discerbible sound |
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Term
| Labor union for entertainment industry. |
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Definition
| IATSE (International Alliance of Theatrical Stage Employees) |
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Term
| When was IATSE founded, what did it used to be called? |
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Definition
| 1893, National Alliance of Theatrical Stage Employees. |
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| Union in Washington DC for electrical workers of stage performances. |
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Definition
| IBEW (International Brotherhood of Electrical workers) |
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Term
| Device provides remote operation of any lighting instrument and other effects |
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Term
| Generates audio heard onstage by the artists during a show |
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Term
| Act that warrants second billing for an event. |
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Definition
| Opening act or special guest |
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| audio system used to saturate the back of the audience with sound |
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Term
| States that allow independant labor groups to provide labor |
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| professional trained to safely determine the best place from which equipment can be strung above the audience or artist. |
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| Binding contract between promter and artist. |
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Term
| All seats must have a direct view of the stage with no obstructions. What are these views called? |
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