Term
|
Definition
| WHEN AN AUTHOR MAKES AN INAIMATE OBJECT PERSON LIKE |
|
|
Term
|
Definition
| THE OVERALL FEEL OF A LITERARY WORK |
|
|
Term
|
Definition
| A CONTRAST BETWEEN WHAT IS STATED AND WHAT IS REALLY MEANT, OR BETWEEN WHAT IS EXPECTED TO HAPPEN AND WHAT ACTUALLY HAPPENS |
|
|
Term
| PETRARCHAN SONNET (ITALIAN SONNET) |
|
Definition
| A 14 LINE POEM CONSISTING OF 2 PARTS: THE OCTAVE AND THE SESTET |
|
|
Term
| SHAKESPERIAN SONNET (ENGLISH SONNET) |
|
Definition
| A 14 LINE LYRIC POEM CONSISTING OF 3 QUATRAINS AND A COUPLET WITH A RHYME SCHEME OF ABAB CDCD EFEF GG |
|
|
Term
|
Definition
| A SPEECH USUALLY LENGTHLY IN WHICH A C`HARACTER ALONE ON STAGE EXPRESSES HIS THOUGHTS AND/OR EMOTIONS ALOUD |
|
|
Term
|
Definition
| A GROUP OF LINES FORMING A UNIT IN A POEM |
|
|
Term
|
Definition
|
|
Term
|
Definition
| CLEANSING OF EMOTIONS WHERE THE READER OR VIEWER COMES INTO A DEEPER UNDERSTANDING OF LIFE |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
1. EXPOSITION
2. COMPLICATION
3. CRISIS
4. FALLING ACTION
5. CATASTROPHE |
|
Definition
|
|
Term
|
Definition
| THE PROTAGONIST IS OFTEN OF____DESCENT TO ENHANCE THE TRAGIC OUTCOME |
|
|
Term
|
Definition
| WHEN A CHARACTER CAN BE SEEN BY THE AUDIENCE BUT REMAIN HIDDEN FROM ITS FELLOW ACTORS |
|
|
Term
|
Definition
| AN ______ ALLOWS THE CHARACTER TO SPEAK DIRECTLY TO SOMEONE ON STAGE OR THE AUDIENCE WITHOUT BEING OVERHEARD BY THE OTHER CHARACTERS |
|
|
Term
| LOVE KILLS HATE BUT AT A BIG COST |
|
Definition
| NAME 1 ONGOING THEME IN ROMEO AND JULIET |
|
|
Term
|
Definition
| PLAY ON WORDS THAT HAVE SIMILAR SOUNDS BUT MORE THAN 1 POSSIBLE SPELLING OR MEANING |
|
|
Term
|
Definition
2 CONTRADICTING TERMS DESCRIBING EACH OTHER
-LOVING HATE |
|
|
