Term
|
Definition
| A GENERALIZATION ABOUT A GROUP OF PEOPLE |
|
|
Term
|
Definition
|
|
Term
|
Definition
| AN OUTSIDE NARRATOR TELLS THE STORY |
|
|
Term
|
Definition
| A FEELING OR MOOD OF A LITERARY WORK |
|
|
Term
|
Definition
| ONE EVENT BRINGS ABOUT THE OTHER. |
|
|
Term
|
Definition
| A PERSON, ANIMAL, OR IMAGINARY CREATURE THAT TAKES PART IN THE ACTION OF A LITERARY WORK |
|
|
Term
|
Definition
| THE TECHNIQUES A WRITER USES TO CREATE AND DEVELOP CHARACTERS |
|
|
Term
|
Definition
| THE NATURAL ORDER OF EVENTS |
|
|
Term
|
Definition
| POINT OF MAXIMUM INTEREST OR TURNING POINT |
|
|
Term
|
Definition
| STRUGGLE BETWEEN OUTSIDE OPPOSING FORCES |
|
|
Term
|
Definition
| FOUND IN THE BEGINNING OF THE STORY; BACKGROUND INFORMATION USED TO ESTABLISH THE STORY |
|
|
Term
|
Definition
| THE NARRATOR IS SOMEONE IN THE STORY |
|
|
Term
|
Definition
| BREAKS NORMAL TIME ORDER TO SHOW PAST EVENTS |
|
|
Term
|
Definition
| HINTS OR CLUES ABOUT A FUTURE STORY EVENT |
|
|
Term
|
Definition
| A STRUGGLE WITHIN THE CHARACTER OR CONSCIENCE |
|
|
Term
|
Definition
| THE OPPOSITE OF WHAT IS EXPECTED |
|
|
Term
|
Definition
| THE REASON WHY A CHARACTER ACTS, FEELS OR THINKS IN A CERTAIN WAY |
|
|
Term
|
Definition
| THE SEQUENCE OF EVENTS THAT MAKE UP THE STORY |
|
|
Term
|
Definition
| THE PERSPECTIVE FROM WHICH THE STORY IS TOLD |
|
|
Term
|
Definition
| THE FALLING ACTION OR ENDING |
|
|
Term
|
Definition
| A FEELING OF GROWING TENSION AND EXCITEMENT FELT BY THE READER/CONFLICTS OCCUR |
|
|
Term
|
Definition
| THE TIME AND PLACE OF THE ACTION |
|
|
Term
|
Definition
| QUALITIES BELONGING TO THE CHARACTER |
|
|
Term
|
Definition
| THE AUTHOR DIRECTLY TELLS YOU THE LESSON TO BE LEARNED (MORAL) |
|
|
Term
|
Definition
| THE AUTHOR ONLY HINTS AT THE LESSON TO BE LEARNED |
|
|