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| Correggio, Madonna And Child With St. Jerome, Year: 1525 |
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| Correggio, Adoration of the Sheperds, 1525 |
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| Correggio, Jupiter and Io, 1525 |
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| Correggio, Jupter and Ganymede, 1525 |
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| Correggio, Vision of St John, 1525 |
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| Parmigianino, Antea, 1530 |
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| Parmagianino, Cupid Amor, 1530 |
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| Parmagianino, Madonna of the Long Neck, 1530 |
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| Parmigianino, Virgin and Child with Saints Jerome, Margaret, Benedict, 1530 |
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| Parmagianino, Vision of St Jerome, 1530 |
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| Parmagianino, Self Portrait in a Convex Mirror, 1530 |
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| Giulio Romano, Sala Di Giganti, 1530 |
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| Giulio Romano, Sala Di Amore e Psiche, 1530 |
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| Giulio Romano, Sala dei Cavalli, 1530 |
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| Giulio Romano, Palazzo Del Te, 1530 |
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| Giulio Romano, Battle at the Milvian Bridge, 1530 |
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| Giulio Romano, Sala Di Constantino, 1530 |
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| Michelangelo, Rondanini Pieta, 1550 |
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| Michelangelo, Pieta, 1550 |
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| Michelangelo, Last Judgement, 1550 |
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| Michelangelo, Victory, 1530 |
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| Michelangelo, Laurentian Library, 1530 |
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| Michelangelo, Tomb of Lorenzo De Medici, 1530 |
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| Michelangelo, Tomb of Giuliano De Medici, 1530 |
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| Michelangelo, Medici Madonna, 1530 |
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| Michelangelo, Medici Chapel, 1530 |
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| Cellini, Perseus, Piazza della Signoria, 1550 |
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| Cellini, Salt Cellar, 1550 |
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| Bandinelli, Hercules and Cacus, Piazza della Signoria, 1530 |
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| Giambologna, Fountain of Neptune, 1560 |
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| Giambologna, Mercury, 1580 |
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| Giambologna, Rape of Sabine Woman, Piazza del Signoria, 1580 |
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| Andrea Mantegna was an Italian painter, a student of Roman archeology, and son in law of Jacopo Bellini. |
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| The Vulgate is a late fourth-century Latin translation of the Bible that became, during the 16th century, the Catholic Church's officiallypromulgated Latin version of the Bible |
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| Federigo Gonzaga, Duke of Mantua |
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| Ruler of the Italian City Mantua |
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| a now-famous set of paintings depicting the Loves of Jupiter as described in Ovid's Metamorphoses by Correggio |
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| to send to the countryside |
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a horizontal, continuous lintel on a classical building supported by columns or a wall, comprising the architrave, frieze, and cornice.
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| Triglyph is an architectural term for the vertically channeled tablets of the Doric frieze so called because of the angular channels in them, two perfect and one divided, the two chamfered angles or hemiglyphs being reckoned as one. |
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| Dark, slippery, greenish-grey Florentine Macigno stone from Fiesole used for the interior pilasters, entablatures, and architectural elements by Brunelleschi at the Pazzi Chapel and Michelangelo in the Medici Chapel, both in Florence. |
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| an antechamber, hall, or lobby next to the outer door of a building. |
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