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| agitational propaganda.. part of bolsheviks, dedicated to info, to exite people into action, why peoples lives are terrible ext.. |
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| eliminate illusion, would use white light to create a mood or tone. no empathy, wanted audience to simply watch it.. stepping out of character |
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| first shot in america without war. edwin forrest(manly american) vs william charles macready (classic englishman) .. |
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| first book/integrated musical |
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| strip tease.. but didnt used to be. flips what is happening all around. |
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| concept/fragmented musical |
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| metaphor more important than all the acts.. theaterical and pictorial.. primary themes.. very dark |
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| during golden age.. based on music and dance, plot and character.. optimistic |
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| booth assassinates lincoln during our family cousin |
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| imaginary wall in front of procerium stage.. where action is seen, seperates audience from stage |
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| shakespeare in london.. sam wanamaker |
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| actors use to get into character.. what if i do this |
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| teach lessons! toms cabin, dime museums. morality rewarded, middle class, discourages bad behavior |
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| edwin forrest, white people painted black |
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| theatre for social change. individual vs society, morality |
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| all american good character, not very smart |
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| clean family entertainment.. catwalk |
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| assassinates lincoln, acting family |
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| and the berliner ensemble. no emotional involvement, distance . epic theatre, wanted war between china and japan to stop |
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| shoot. friend shoots him in a performance, forces audience to react |
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| funded the arts during the depression, out of work actors helped, living newspapers, agitprop, the cradle will rock |
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| bowery boys, strong and manly american, played macbeth, astor riots |
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| first woman playwright, nun |
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| georg 2 duke of saxe meiningen |
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| director, modern acting and stage design. realistic!! 3D set, crowded scenes |
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| coco fusco and guillermo gomez-pena |
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| undiscovered amerindians in cage, was satire but people took it seriously. timely piece because of peoples reactions |
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| father of realism, a doll house. womans independence, door slam |
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| founder of tetonic theatre company |
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| english actor, macbeath and hamlet. upperclass, smuggled out of us after astor riot |
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| phantom of the opera, cats, les miserables |
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| disturbing life and plays. 1 play for every descade. 3 plays. GOLDEN AGE. long days journey into night. wanted last work published 20 years after death but wife didnt do so |
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| national endowment for the arts. is this art? kara finley, holly hughes. controversial. took away money.. can the govt decide what is a good play? |
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| on the road. talks to people at historical events, creates characters. fires in the mirror, twilight in los angeles, wants people to get past race, tries to peel away layers |
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| public cervix announcement, porn. |
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| inside out, method acting, distanced himself from it because of lack of emotion and consistency |
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| first woman to win tony (lion king) |
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| gesamtkunstwek, controls everything, fan shaped auditorium, dark, didnt want high class to be seen |
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| actor/director.. reconstructed globe theatre |
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| pulitzer prize winner, 'our town' little scenery, relies a lot on acting, golden age |
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| glass menagerie, golden age, shadowed his own life |
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| great depression child, death of a saleman, working class issues |
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| father of chicano theatre, los vandidos |
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| what is art? urinal. challenges high art. the gas heart, tristan tzara |
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| paris, in response to wwii, repitition, no cause effect relationship |
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| germany, brecht, no empathy, alienation.. no emotion, distance instead |
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| representational.. emotion first |
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| presentational, physical firest, then emotion. too mechanical |
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| follows tradition of old plays |
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| modern twist on an old play, emotion! |
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| 3 walls, invisible 4th wall, seperates audience |
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| all around, same as stage.. brings audience in |
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