Term
|
Definition
|
|
Term
|
Definition
| Stravinsky, Schoenberg, Rachmaninoff, Prokofiev, Copland, Bartok, and Gershwin |
|
|
Term
|
Definition
| A symphony composed with the sole purpose of sharing the music. No extramusical sources |
|
|
Term
|
Definition
| Lacking a key or tonal center (Schoenberg) |
|
|
Term
| Bach was famous for . . . |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
| Beethoven was famous for . . . |
|
Definition
|
|
Term
| Chopin was famous for . . . |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
| Music that focused on creating sounds and impression not native to one's country. |
|
|
Term
|
Definition
| Music used to create specific emotions. |
|
|
Term
| Handel was famous for. . . |
|
Definition
|
|
Term
| Haydn was famous for. . . |
|
Definition
|
|
Term
|
Definition
| Music centered on portraying and image |
|
|
Term
|
Definition
|
|
Term
| Liszt was famous for. . . |
|
Definition
|
|
Term
| Mozart was famous for. . . |
|
Definition
|
|
Term
|
Definition
| A movement in music in the 19th century in which composers sought to emphasize indigenous qualities in their music by incorporating folk songs and native scales. |
|
|
Term
|
Definition
| A 20th century movement that sought to return to the musical forms and aesthetics of the Baroque and Classical eras. |
|
|
Term
|
Definition
| two or more distinct rhythms sounding simultaneously |
|
|
Term
|
Definition
| Two or more distinct keys or tonalities sounding simultaneously. |
|
|
Term
|
Definition
| a movement away from the urban settings. The Music was very Earthy and primitive. |
|
|
Term
|
Definition
| A piece of instrumental music, usually for symphony orchestra, that seek to re-create in sound the events and emotions portrayed in some extramusical source. |
|
|
Term
|
Definition
| Josquin Desprez and Palestrina |
|
|
Term
|
Definition
|
|
Term
|
Definition
| Schubert, Schumann, Liszt, Berlioz, Verdi, Wagner, Tchaikovsky, Chopin, Mendelssohn, Brahms |
|
|
Term
|
Definition
|
|
Term
|
Definition
| Borodin, Cui, Balakirev, Rimsky-korsakov, and Musorgsky They were centered in St. Petersburg and their aim was to write purely Russian music. |
|
|
Term
| Schubert was famous for . . . |
|
Definition
|
|
Term
| Serialism (12 tone method) |
|
Definition
| The backbone of the music is the repetition of some musical element such as pitch, dynamics, or rhythm, which is repeated in a logical and mathematical pattern. |
|
|
Term
| Symphonic Poem (tone Poem) |
|
Definition
| a one movement work for orchestra of the Romantic era that gives musical expression to the emotions and events associated with a story, play, political occurrence, personal experience, or encounter with nature. (lacks text) (Liszt) |
|
|
Term
| Tchaikovsky was famous for . . . |
|
Definition
|
|
Term
|
Definition
| an instrumentalist or singer with a highly developed technical ability. |
|
|
Term
| Wagner was famous for. . . |
|
Definition
|
|