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| moment when hero realizes their fatal flaw |
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1. Form of Knowledge 2. Didactic 3. Influence 4. Glorification 5. Entertain/Pleasure |
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| 6 Aristotelian Elements of Drama |
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1. Plot 2. Character 3. Thought 4. Diction 5. Music 6. Spectacle |
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1. Place (single place) 2. Time (less than 24 hours) 3. Action (single; no side stories) |
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| Willing Suspicion of Disbelief |
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*actors pretend audience is not there *audience forgives the limitations of the medium |
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| Julius Caesar becomes emperor |
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Gothic church in which Medieval theater was performed in. Performed by clergy men |
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Heroic story into the depths of Hell *Contemporary adventure story from Medieval Time period |
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| Bans theater in the church |
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| Characteristics of Elizabethan Theater |
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| *Internal struggle of the human psyche (more complex than just good vs. evil) |
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| dont let the audience get too connected to the actors, alienate them. |
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| Methods of Alienation (4) |
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1. Direct communication to the audience 2. Expose the stage 3. Ironic Counterpoint 4. Sinage - visual aids |
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| view from inside (usually distorted) |
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| group which decided literary masterpieces |
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| Naval battles (roman theater) |
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| beast battles (roman theater) |
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| inversion of hierarchy (peasant becomes king for a day) |
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| moving cart stages in Medieval theater |
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| one of shakespeares close friends, helped build The Globe Theater |
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| where the common people stood (Elizabethan) |
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| name for the common people who stood in "the pit" |
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| Total work - spectacle, music, voice |
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| fragment of symphony played with humor |
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| first play, written by Thespis |
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