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| International Gothic Style |
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Phase of Gothic art, spread from Burgundy and France to Western Europe (hence the name); development of common aesthetic and reduction of variation in national styles. Gold! Frilly stuff. not quite realistic, but attempts at realism busy, lots of extraneous people. typically paint crucifix or Madonna enthroned. |
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Classically influenced Rise of Humanism Spirit of Exploration Scientific Method Art for the sake of art (no longer purely functional) Rethinking of Religion (Reformation) Printing Emphasis on the good life as a repudiation of medieval ethics and religion |
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| no harsh outlines present (as in a coloring book). Areas blend into one another through miniscule brushstrokes, which makes for a rather hazy, albeit more realistic, depiction of light and color |
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| Very great emotion that appears restrained or withheld in a sculpture. Michelangelo's Moses |
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muscular forms, even for women (muscles show inner heroism). Can be found in mormon art today |
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| People's spiritual and human needs can be filled without God |
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| -dramatic combination of intense light right next to intense darkness |
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| addition of accidentals in performance that are not notated |
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| Five Cs of the Florentine Renaissance |
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• Clarity of Line • Concern for mathematically precise perspective • Close observation of “real people” • Concern for psychological states • Clutter is gone |
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| (1545-63)—catholic church trying to win back followers by putting on a show (during the reformation period. Palestrina wrote the Pope Marcellus Mass |
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| Durer (the fall of man) Adam and eve-idealized forms |
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| using metaphor to connect two very different ideas (John Dunn) |
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| unbalanced forms, weird settings, messing around with light |
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| Music term. start the piece a minor third lower than the page so that you end up with the right ending sound |
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3 poetic/musical forms of secular music o Rondeau= ABaAabAB o Ballade o Virelai |
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