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| which composer is most closely related to the council fo trent |
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| characteristics of gregorian chant |
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latin text sun a cappella monophonic |
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| middle ages seat of power |
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| dominant intellectural force rennaissance |
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| two main forms of sacred music renaissance |
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| more than one note per syllable |
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monophonic triple meter generally syllabic |
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| earliest type of polyphony |
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| 5 section of the ordinary of mass |
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kyrie gloria credo sanctus agnus dei |
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| Renaisance instrumental music |
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| which satement best describes the rhythm of the renaissance |
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| rythem is more of a gentle flow |
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| the form in which there is a repeated bass figure with chords, above which the uppper lines play different melodies |
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| last great madrigal composer |
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| thre main sources of instrumental music |
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dance virtuousity vocal music |
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| baroque compostion that treats one melody imitatively |
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| most important barouqe composers |
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| opera arose around the year |
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| which intrument family formed the core of the paroque orchesta |
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| which best describes baroque melodies |
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| complex and appearing in sequences |
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| the standard texture of much baroque music is |
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| the outstanding element of a fugue is |
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| systematized imitative polyphony |
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| the most important genre in baroque secular vocal music is |
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| hadel most famouse oratorio |
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| the important genre that was used in lutheran services |
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| the preexisting melodies on which much of the lutheran church music is based are |
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| first movement in classical symphonies |
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| moderate or fast movement in sonata form with slow intro |
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| which genre is viewed as the cwoning achievement of viennese classical music |
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| the classical style developed in |
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| musica innovation of the 18th century |
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| second movement in symphonies |
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| beethoven was probably the first musican to make a career solely from |
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| the last movement in class. symphonies |
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| the third movement in class symphony |
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| the first movemnt of multimovemnt works are |
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| not a feature of beethovens style |
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| disregard for classical form |
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| movement of classical sonata |
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| string quartet has as many movemnets as the |
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| classical string quartets have |
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| string quartet can best be described as |
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| in whose court was haydn employed |
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| the composer listed who is a nationalistic composer is |
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| came to the U.S. as a conducter |
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| movements in Symphonie fantastique |
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| not a characteristic of a lied |
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| the accompaniment plays an integral part |
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| was inspired by geography |
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| miniature compostion for piano |
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hildegard bernart perotin machaut |
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dufay josquin palestrina weelkes |
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gabrieli monteverdi purcell frescobaldi vivaldi bach handel |
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schubert schumann chopin berlioz verdi chaivosky musorgsky brahms mahler |
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debussy stravinsky schoenberg berg ives ravel copland varses |
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flute clarinet oboe basoon saxophone |
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trumpet french horn trombone tuba |
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