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| full of pleasant odor, smelling of, suggestive of |
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| completely resistant to penetration, immune, unreceptive |
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| to tarnish, defile, stain |
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| luxurious, lavish, magnificent |
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| haughty, contemptuous, arrogant |
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| to infringe upon, encroach |
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| clear pronunciation, articulation, a declaration |
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| lasting only a short time, transitory |
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| without piety, irreverent, blasphemous |
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| continuing with no interruption, never ceasing |
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| beginning, first stage, inception |
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| incapable of being disputed, not debatable, undeniable |
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| naturally occurring or existing in a specific place, native, natural |
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| a wine of a particular region or year; a type or model of a particular year in the past; representative of or dating from a period long past |
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| pertaining to marriage relationships |
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| to cooperate secretly, plot, scheme |
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| a prison official, a keeper or guard |
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| an expert in judging value, especially in fine arts, foods, wines, etc. |
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| blood relationship; affinity |
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| to compel into service; a draftee; drafted or forced to serve |
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| a soldier for hire; one who acts for money; influenced primarily by desire for money |
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| the first of its kind, the original model |
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| to draw out, prolong, extend |
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| lively, quick, changeable, volatile, fickle |
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| a change in structure or form, a transformation |
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| the fear or hatred of strangers or foreigners |
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| to become or turn pale; to make white; to scald edibles |
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| obvious, conspicuous, offensively loud |
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| excessively dismal, mournful |
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| giving forth light, bright, shining; easily understood |
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| strength of spirit, stamina, ardor |
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| gruesome, ghastly, horrible |
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| to express with primness or with little force; to cut into small pieces |
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| a submissive dependent or favorite; an official subordinate |
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| a loyal follower who obeys unquestioningly |
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| a wastrel, a spendthrift; wasteful, recklessly extravagant; extremely abundant, lavish |
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| enormous; amazing, extraordinary |
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| impulsive, unpredictable, erratic |
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| fault-finding, disposed to criticize; argumentative |
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| anything that encircles; a belt or sash |
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| evasion of the main point be roundabout or indirect speaking or writing |
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| stubbornly persistent, tenacious of purpose |
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| refutation by demonstrating the inevitable absurd result |
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| divided or forked into two equal branches |
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| giving one's name to a tribe, place, institution, etc. |
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| a hypothetical place, state, or situation in which conditions and the quality of life are dreadful |
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| Uni sunt qui ante nos fuerent? |
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| Where are the former days of glory? (lit. "Where are those who were before us?") |
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| spoken in England between the Norman Conquest and the Renaissance |
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| juxtaposition of images / series of images without apparent order; creates meaning different from actual picture |
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| attitude of author toward subject |
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| an element that serves as the basis for expanded narrative and recurrent images |
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| nine goddesses who preside over arts; daughters of Zeus |
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| the theory that a knowledge of God or immediate reality is attainable by a human faculty that transcends intellect and logic |
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| story that presents supernatural episodes to interpret natural events |
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| a philosophical system that originated in Alexandria in the third century, with elements of Platonism mixed with Oriental beliefs and with some aspects of Christianity |
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| the idea that primitive human beings are naturally good and that whatever evil they develop is the product of the corrupting action of civilization |
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| conclusion does not follow; comment that has no bearing on what was said |
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| a group of eight lines of verse |
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| Germanic dialect spoken in England during the Anglo-Saxon period |
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| sees, knows, and tells all |
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| sound of word suggests its meaning |
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