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Shift in Tense
present/past/future |
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punctuation
underlining titles |
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Shift in Person
first/second/third |
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Run On
when 2 stand alone sentences are improperly joined, in which u need to FANBOYS |
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| level of usage: contractions, pretentious language, crude language, etc |
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Shift in Voice
active/passive voice |
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| incomplete sentence/phrase |
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| shift in number: numbers shift |
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| appeal to logic/facts/statistics |
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| appeal to credibility (as a speaker/writer/etc) |
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| contrasting ideas in balanced/paralleled words/phrases |
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| excessive use of conjunctions |
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| point of greatest interest of story |
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| recognizing and stating the validity of an opponent's argument |
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| similes, metaphors, imagery, etc |
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| mix up word order in a sentence |
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| anticipating and invalidating opponent's argument |
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| opposite of exaggeration but on purpose |
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| novel told through letters |
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| character for whom readers feel pity for |
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| sexual attraction to inferior people |
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dramatic
verbal
situational |
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| in which a cliche is inverted |
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| outlandish/highly unrealistic event |
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represents stereotypes
1 dimmensional |
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| language that strikes an emotion or feeling |
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| a seemindly impossible contradiction that is essentially true |
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| message/lesson the author sends about a particular topic |
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| addressing something/someone that cannot respond back |
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| refutes an argument (normally after a concession) |
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| unstressed, stressed 4 times |
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| an unexplained reference to other works |
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| line of poetry where the thought is completed in the next line |
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| pattern of rhyme in a poem marked by letters of the alphabet |
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| when last word of back to back lines rhyme |
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| stressed, unstressed 4 times |
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| fable that includes a moral |
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Term
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(1833 - 1901)
My Last Duchess - Browning
Importance of Being Earnest - Oscar Wilde |
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Term
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Definition
(1901 - Present)
Shooting an Elephant - Orwell
Politics of the English Language - Orwell
The End of the Affair - Graham Greene |
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| Targets of Satire in Earnest |
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Definition
love and marriage
aesthetic movement
victorian morals/ethics/etc
the wealthy/aristocrats |
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| Completely Takign a side of an argument |
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Preview
Declarative
Assertive
(Debatable)
Specific |
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| Indirect characterization |
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Definition
actions
thoughts
emotions
appearance
other people's reactions |
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Definition
Love/Fear of Nature
Ambition/Dangerous Knowledge
Promethean
Good vs. Evil |
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| a character speaking to only one other character while other characters are present |
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| a character that blocks the relationship between 2 characters |
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| Peaceful Resistance (Gandhi) |
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| in which the bread and wine transform into the body and blood of Jesus |
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| in which the bread and wine represent the body and blood of Jesus |
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| in which the bread and wine you're eating literally IS the blood and body of Jesus |
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love
hate
jealousy
catholicism |
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| to rub away/erase/fade away |
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| to cast out/send violently |
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| to be depressed by loss of hope, etc |
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| to scatter in different directions |
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| act/deed showing mercy/leniency |
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| something that incites/angers/irritates |
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| something that precedes/introduces something |
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Renaissance
Marvell (metaphysical) |
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Renaissance
Queen Elizabeth |
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Renaissance
Lovelace (cavalier) |
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Renaissance
Sir Thomas Moore |
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| Importance of Being Earnest |
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| Politics of the English Language |
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