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| entranceway beneath the audience |
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| extends beyond promecium arch out into the audience |
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| shifts audience and deals with ticket office |
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| area on side of stage out of sight from audience |
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| light source turned on by actor during hte play |
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| must be turned on by tech crew off stage |
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| a physical act (writing, turing a page in a book) dont by an actor on stage |
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| something put over a light to alter the affect |
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| something put over a light to alter the affect |
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| actors are can be made to work 10 out of 12 hours |
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| marks on the floor in glow tape to indicate where an actor or set piece is supposed to be located |
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| an actor's day off once a week...whats it called. usually monday |
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| movement of the actors on stage, stage directions |
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| rehearsal 3 days in advance, takes a long ass fucking time |
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| stage where the curtain forms a frame around the stage. |
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| illusion of realizty created by the drama, accepted by audience |
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| masked group that danced and sang in greek theatre |
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| goddess of wine, the greeks held 4 festivals throughout the year to pay tribute to her |
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| Building behind a greek theatre for sets and dressing rooms |
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| curtain that stretches all the way across the top of a modern stage |
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| curtains on the side of the stage to hide the wings |
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| greek theatre- where hte audience sat |
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| dancing circle in a greek theatre |
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| None Ha! author is sympathetic to both points of view |
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| villain in Rising of the Moon |
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| David Garrick's External Technique used... |
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| to take something offstage |
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| to put something on stage |
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| hero gets what they want but its disadvantageous |
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