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| 4th century philosopher; poetry v history |
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| texts reference eachother; to reference another work and do something different; my own private idago and king henry iv |
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| to pattern yourself on someone else, to take the person as a model for your own personality |
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| figure of speech and pricipal way of thought in our culture in which one thing is understood in terms of another |
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| art made of language;cultural artifact |
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| prose literary genre that is essentially dependent on the book benjamin and associated with representing modern expericence |
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| study of beauty and perception of beauty(including the ugly) |
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| intersection and impact of speech |
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| reading with the aim of discussion of aesthetic and or cultural implications paying attention to form and content |
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| aristotle on poetry v history |
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| history describes things as they are; poetry describes things as they should be, poetry treats universals, history treats particulars |
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| 20th century, like the night |
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| 19th-20th century "the storyteller" |
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| pattern that becomes normal, typical in society |
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| way language in a passage or work is arranged, how it impacts content |
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| what happens, plot or message of a given work |
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| short peom associated with song and lyre in ancient times; usually expresses feelings and subjective perceptions and impressions. |
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| annotate text make notes about obervations ask questions, recored reactions look up unfamiar words |
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| oscars families home nation oh hispanola |
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| 15th-16th century landed on hispanola. oscar wao |
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| genre of the great long narritve poem depicting foundations of a culture usually referecning gods and heroes |
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| actions of high and low characters. confirms social messages by means of showing a character who stays and is brought back, might be punished by social exclusion |
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| comparison using like or as |
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