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| ANY PORTION OR PART IN RELATION TO THE WHOLE |
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| KEEP HAIR CLOSE OR OFF THE FACE |
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| BONE STRUCTURE AND HAIRLINE WIDEST MOST DOMINANT AREAS |
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| EFFECTIVE WAY TO MEASURE THE PROPORTIONS OF THE FACE |
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| FRONT HAIRLINE TO MIDDLE OF THE EYEBROWS..MIDDLE OF EYEBROWS TO TIP OF NOSE..TIP OF NOSE TO TIP OF CHIN |
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| ROUNDED LONG AND NARROW, NO DOMINATE AREAS LOOK VERY HARMONIOUS CAN SUPPORT STRONGER STATEMENTS |
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| LOOKS CIRCULAR APPEARS SHOR AND WIDE LOW ROUND HAIRLINE. SHORT CHIN ROUNDED JAWLINE..GOOD WITH GEOMETRIC OR LINEAR HAIRSTYLE ADD HEIGHT, LONG WISPY SIDE AREAS..AVOID CURLS..PLACE VOLUME ABOVE TEMPLE OR BELOW JAWLINE AVOID WIDTH |
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| SHORT AND WIDE LOT OF STRAIGHT LINES, PROMINENT JAWLINE ADD HEIGHT ON TOP NARROW ON SIDES..CURLY TEXTURE AND WISPS OF HAIR WORK WELL ..NO FRINGE OR WIDTH AT JAWLINE |
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| LONG AND NARROW ANGULAR WIDE ALMOST HORIZONTAL JAWLINE..ONE AREA IS LONGER NEED SOFTNESS AND WIDTH..AVOID SHOR HAIR AND HEIGHT |
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| ELONGATED, NARROW (TRAPEZOID) FOREHEAD WIDE JAW. GRADUATED FORMS WORK WELL..SHORT HAIR NEEDS VOLUME IN CREST AREA..CURLY AND WISPY SOFTEN. AVOID EXTREMLY SHORT AND BOBS THAT END AT JAWLINE |
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| IS ELONGATED AND ANGULAR, CHEEKBONES WIDEST AREA..NEEDS NARROW SIDES AND FULLNESS AT CHIN..BOBS WORK WELL AVOID HEIGHT ON TOP BOLUME AT SIDES SHORT CROPPED NAPE |
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| IS LONG (TRIANGULAR) POINTED CHIN WITH WIDE FOREHEAD..LOOKS GOOD WITH VOLUME AT CHIN AND NO VOUME AT TOP..NAPE NEEDS TO STAY FULL AVOID DIAGONAL FORWARD LINES AND LONG POINTED SIDE AREAS |
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| OUTLINE OF AN OBJECT FROM THE SIDE |
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| STRAIGHT, CONVEX AND CONCAVE |
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| SLIGHT OUTWARD CURVATURE FORM HAIRLINE TO THE TIP OF THE NOSE AND TIP OF NOSE TO CHIN |
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| RECEDING HAIRLINE, PROTRUDING EARS AND EYEGLASSES |
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| THE SURFACE APPEARANCE OR FELL OF THE HAIR CAN BE FINE MEDIUM OR COURSE |
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| NO HAIR ENDS EXPOSED ON THE SURFACE |
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| HAS A ROUGH SURFACE AND LOTS OF MOVEMENT |
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| THE NUMBER OF HAIR FOLLICLES PER SQUARE INCH ON THE SCALP ...LIGHT MEDIUM OR HEAVY |
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| DETERMINES WHICH ADDITIONAL CHEMICAL SERVICES CAN BE PERFORMED WITHOUT DAMAGING THE HAIR |
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| DETERMINES THE ANGLE AND DIRECTION THE HAIR GROWS OUT OF THE SCALP, USUALLY VERY STRONG AND SELDOM CAN BE ALTERED |
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| THE OUTWARD REFLECTION OF INNER THOUGHT, FEELINGS VALUES AND ATTITUDES |
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| NATURAL, ROMANTIC DRAMATIC, GAMINE, CLASSIC AND CASUAL |
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| INVOLVES ACTIONS GESTURES TONE OF VOICE AND SPEED |
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| THE COMING TOGETHER OF ALL THE INDIVIDUAL ELEMENTS OF YOUR INTENDED DESIGN INTO ONE ARTISTIC WHOLE |
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| THREE DIMENSIONAL REPRESENTATION OF SHAPE |
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| ESTABLISH DIRECTIONS THAT LEAD THE EYE THROUGH A HAIRSTYLE AND CREATE VISUAL ILLUSIONS |
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| CONSIST OF A SERIES OF POINTS THAT ARE CONNECTED IN A VARIETY OF DIRECTIONS |
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| FORMED AT THE POINT WHERE 2 LINES MEET |
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| TWO DIMENSIONAL FIGURE CONSISTING OF POINTS, LINES AND ANGLES |
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| PARALLEL TO HORIZON ADD WIDTH OPEN A NARROW FACE ADD WEIGHT OR BULK WHEN CUT INTO A SHAPE |
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| AT RIGHT ANGLE TO HORIZON ADD ILLUSION OF LENGTH NARROW A WIDEFACE REMOVE BULK IN HAIRCUTTING |
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| LEAD EYE TO FOCAL AREA ALLOW MOVEMENT CAN MOVE FORWARD OR AWAY FROM FACE |
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| SOFTER THAN STRAIGHT LINES AND SOFTEN ANGULAR FACES |
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| THE VISUAL APPEARANCE OR FEEL OF A SURFACE ELEMENT THAT CREATES INTEREST WITHIN A DESIGN CAN BE NATURAL OR CREATED |
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| THE SIZE OF THE ACTURAL TEXTURE PATTERN CAN BE FAST OR SLOW SPEEDS |
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| IS THE VISUAL PERCEPTION OF THE REFLECTION OF LIGHT |
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| STUDY OF THE INFLUENCE OF COLOR |
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| CAN ADD DEPTH DIMENSION THE ILLUSION OF SHINE OR TEXTURE AND DRAW ATTENTION |
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| ATTRACT THE EYE MAKE YOU FEEL WARM CHEERFUL AND EXUBERANT |
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| REMIND YOU OF ICE OR COLDNESS, DISTANT,QUIET , CAN SEEM GLOOMY |
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| SOFTEM THE FACE, SEEM TO COME FORWARD ADD BRIGHTNESS |
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| ADD HARSHNESS TO FEATURES, SEEM TO RECEDE, ADD DEPTH |
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| ARE THE ARTISTIC ARRANGEMENT PATTERNS FOR THE DESIGN ELEMENTS OF FORM, TEXTURE AND COLOR TO FOLLOW |
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| A PATTERN IN WHICH AN ELEMENT IS IDENTICAL |
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| A PATTERN IN WHICH AN ELEMENT CHANGES FROM ONE TO ANOTHER REPEATEDLY |
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| A PATTERN IN WHICH AN ELEMENT CHANGES GRADUALLY IN AN ASCENDING OR DESCENDING SCALE |
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| A PATTERN IN WHICH AN ELEMENT HAS A RELATIONSHIP OF OPPOSITES THAT CREATE INTEREST VARIETY AND EXCITEMENT |
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| IS THE STATE OF EQUILIBRIUM EXISTING BETWEEN CONTRASTING, OPPOSITE OR INTERACTING ELEMENTS. CAN BE SYMMETRICAL OR ASMMETRICAL |
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| WEIGHT IS EQUAL ON BOTH SIDES OF A CENTER AXIS CREATING A MIRROR IMAGE. FOCUS IS ON SILHOUETTE OF DESIGN |
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| WEIGHT IS POSITIONED UNEQUALLY FROM A CENTER AXIS VISUAL BALANCE CAN BE ACHIEVED |
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| NOT TO EXCEED MORE THAN 1/3 OF THE FACE |
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| NOT TO EXCEED THE DISTANCE FROM THE TIP OF THE NOSE TO THE SIDE OF THE FACE |
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