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| Liquid that holds the pigments together without dissolving them |
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| A surface on which the artist works |
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| An ingredient that ensures that the paint will adhere to the surface |
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| Italian for dry fresco or working on a dry plaster surface. |
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| Means true fresco which is applying the pigment and water to a wet lime plaster surface. |
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| A full-size drawing of entire project. |
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| For tempera it is a mixture of white pigment and glue applied to a support as the ground for the painting. |
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| Thin layers of translucent color applied over opaque paint. |
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| Implies that the painting was completed all at once. |
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| An Italian word meaning paste. A thick and highly textured application of paint. |
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| A portable stand used to prop a painting vertically so the artist can face his or her work in progress. |
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| Comes from the Greek word meaning burning in. It consists of pigment mixed with wax and resin |
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| Technique that involves mixing pigments with water and is applied to a plaster support. |
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| uses an emulsion as a vehicle consisting of an aqueous liquid with an oil, fat, wax, or resin. Egg yolk is also used as a vehicle. |
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consist of pigment mixed typically with linseed oil (the binder).
As it slowly dries, a transparent film of suspended pigment is created. |
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| Pigment in a vehicle of water and gum arabic. Its main characteristic is transparency. |
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| Watercolor with inert white pigment added. The added pigment creates opaque colors. |
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| are synthetic. The vehicle is acrylic resin, polymerized through emulsion in water. |
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| made of smal, closely space particles called tesserae embedded in a binder such as mortar or cement. |
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| refers to a particular weaving technique. has to sets to its making, the warp and the weft. |
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