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| One of the things the foley supervisor will look for in a stage is the _______, to ensure the artist will be able to move from one surface to another with as little setup and tear-down as possible. |
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| Solve for drop frame: Start 02:07:35:20 End 05:05:30:22 |
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| The supervising sound editor calls you while you are out and tells you the backgrounds need to be rerecorded because they are conflicting with the dialogue. Which mic patter will leave open space in the center of the stereo image? |
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| I need to export my region definition on my PC. (quick keys) |
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| Conceptualizing sounds often requires the use of _______, whereby a sound is derived as a result of visual association. |
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| In order to make the most _______ frequencies in the human voice stand out, you could booost the frequencies between 1kHz-3kHz. |
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| This is the material contained on the PFX track. |
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| When editing the dialogue, you should monitor at a level of 70-90dB, in order to ensure the best __________. |
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| Once the session is complete, you hand it off to the editor, in order to reduce the noise floor, they will need to _________. |
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| Common sync signal used to endure Pro Tools and VTR run at same speed, better known as blackburst or video reference. |
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| When reading a script for sound what will tell you the location, time of day, and possibly the mood of the scene? |
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| What would you find on channel two of the video transfer? |
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| I am responsible for music documentation, making sure sheet music has well placed page turns and assign cue numbers. |
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| Who cuts in basic sound effects such as door slams and lever pulls? |
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| Using pre-existing music to edit together music to give people an idea of how the score and music for the film will sound. |
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| Used to show the audience how a film will look with a temp score and production sound effects. |
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| The dialogue that will need to be rerecorded during an ADR session will be placed on the __________. |
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| Due to their understanding of te props they will be recording, the foley artist will choose the _______ for the session. |
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| A _______ group suce as the LA MadDogs would be used to provide effort sounds for the fight sequence at the beginning of the reel. |
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| This mic is great for recording stereo ambiences or groups of animals. |
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| The director has decided to shoot on film, as a result the frame rate of the picture will be ____fps. |
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| While cutting perspective splits, you come across a scene where a character sitting just offscreen is speaking to a character onscreen. Since they are sharing the same space the line should be placed on the _____________. |
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| ___________ are not often used for movies due to the fact that in Hollywood directors and producers want things bigger and louder. |
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| Telling the story of a film through sound. |
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| The _______ will choose the mic of the foley session. |
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| You will often need to ______ the sound effects you are layering with EQ's or filters to make them all work together. |
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| The supervising sound editor called up and requested the artist record the sound of glass breaking and a melon being smashed. These elements shoud be _________. |
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| After your basic effects are in place you can _______ them by adding elements such as subconscious sounds or processed sounds to enhance the overall designed sound. |
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| You start replacing ghost regions with sound effects by selecting a ghost region, holding ______ and dragging the file you wish to use onto the track. |
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| Of course director does nor just want us to regurgitate facts for quizzes and tests, he wants us to be able to ________ them to practical applications. |
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| Record Online at Time Code or ______ lock is one of the two online record preferences. |
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| Keeping with industry standards, the _______ will be written twice per every field of video, in lines 17 & 19 of the work tape. |
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| This is considered to be the content of a film. |
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| A recording made at a specific time or a line of dialogue for animation that is recorded three times. |
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| Justifies why a line needs to be replaced, connection between the talent and director. |
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| As soon as the goon hot-wires the car, the director wants Van Halen song "Running with the Devil" to play from the car stereo. This would be an example of _______ source music. |
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| With the movements done, according to the foley order of operations, the next thing the artist will being to record is the _____________. |
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| What is the most commonly used microphone for recording foley? |
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| The part of the script you could read to determine the backgrounds needed. |
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| With the command focus mode (A-Z) engaged you can move a selction down onto the next track by pressing the ________ key. |
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| What would you find in the upper left corner of the screen on a video transfer? |
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| What is the Pro Tools shortcut key combination for Repeat Paste to Fill selection? |
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| In order to help the viewer identify the location of the car as being in a parking garage, as well as to put the viewer in that place, the editors will need to build _______. |
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| When the ADR recordist loads the production audio into the DAW it will come from normal channel ______ on the S-VHS tape. |
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| When making a work tape the hour should match the ________. |
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| When building an effect what will result from the use of too many sounds in a particular frequency range? |
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