Term
| LA MAD Dogs are a ___ group used for fight sequences at the beginning of reels. |
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| Conceptualizing sounds often requires the use of ______ whereby a sound is derived as a result of visual association. |
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| Who cuts in basic SFX such as door slams and lever pulls? |
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| Once the session is complete, you hand it off to the editor. In order to reduce the noise floor, they will need to _____. |
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| ___and ___ are the 2 components that make up the Advanced Authoring Format (AFF). |
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| If I had to choose a single mic to record a murder of crows this mic would be a good choice? |
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| To notch out specific sounds in the same frequency range as the dialogue or add life to tracks that have been over processed you will use this in your chain. |
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| What are the numbers printed on both the workprint and the mag stripe film to maintain sync between the 2? |
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| The ___ will give you info about the scope and implementation of Audio and Music in the Game Audio Engine. |
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| After a film has been converted to video a ______ will need to be applied to slow the audio down to match the new video. |
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| Once the dialogue has been prepared, the dialogue editor will split out tracks that most likely will not be used during re-recording. These are known as ____. |
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| ____ are not often used for movies due to the fact that Hollywood, directors and producers want things bigger, and louder. |
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| What parameter of a 5.1 surround pan window is used to bleed signal into the other channels of the path? |
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| When dialogue is panned and bounces around based upon perspective, its known as? |
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| What accompanies the re-appearance of a character, element, or situation? |
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Term
This is the material contained on the
PFX track. |
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Term
| Telling the story of a film through sound is known as? |
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Term
| What is the process of converting the film to video? |
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| It is this persons responsibility to make sure that all all parts are playable, within the instrument proper range and are not technically awkard. |
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| As discussed in lecture, what alternative sound tool is a very powerful applicator available on the internet as a free download? |
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| After a few ineffective punches, the bad guy finally connects, knocking our hero off of her feet. The director tells you he wants that punch to be huge, and sound very heavy and mean. This would indicate that he wants a ____ sound effect. |
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Term
| T or F. When spotting Foley, it is always necessary to spot each individual step. |
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| This person on the music crew creates spotting and timing notes that list all cues with, start times, end times, and descriptions of dramatic functions. |
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| This person is able to communicate with the director in dramatic terms and works well under extreme pressure. |
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| An attribute of auditory sensation by which sounds can be ordered on a musical scale. |
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| This predub is 5 channels for a DTS film. |
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Term
| While cutting perspective splits, you come across a scene where a character sitting just off screen is speaking to a character on screen. Since they are sharing the same space, the line should be placed on the _____. |
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| The supervising sound editor called and requested the artist record the sound of glass breaking, and a melon being smashed. These elements should be ____. |
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Definition
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Term
| Which motion picture was the first to have synchronized sound fx performed to picture. |
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Term
| In order to make sure the timing of the picture is maintained after the conversion from film to video a ____ is done during the telecine process. |
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Term
| When working with linear video, once you have your connections set you will set the clock source to ____. |
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Definition
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Term
| ___ actors get about $750 per 4 HR. session. |
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Term
| One of the things the Foley supervisor will look for in a stage is the ____, to ensure the artist will be able to move from one surface to another with as little setup and tear-down as possible. |
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Definition
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Term
| You start replacing ghost regions with sound effects by selecting a ghost region, holding ____ and dragging the file you wish to use onto the track(MAC). |
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| Production Effects that will not be used in the re-recording process. |
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Definition
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Term
| How many times is VITC written in 1 frame of video? |
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Definition
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| As you are designing your backgrounds you should create layers for foreground, mid-ground, background so the mixer can match the__. |
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Definition
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| Which position in Audio Post deals with arming tracks and documenting what has been recorded? |
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Definition
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Term
| A reference that tells you how fast the media is moving is a ____ reference. |
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Definition
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Term
| Repeat paste to fill section. |
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Definition
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Term
| Crowding of wave fronts around a moving sound source. |
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Definition
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Term
| Single ended noise reduction. |
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Definition
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Term
| Blending source elements from the editorial. |
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Definition
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Term
| You are beginning to prepare to build your backgrounds for the reel. The first thing you build is a template that is known as ____. |
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Definition
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Term
| What is the responsibility of the Foley recordist? |
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Definition
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Term
| The ear shifts the combined response of the unwanted signal in 2 ears and partially cancels it out. |
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Definition
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Term
| When building an effect what will result from the use of too many sounds in a particular frequency range? |
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Definition
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Term
| Ratio of Direct to Reverberant Sound is one of the 3 ways to ____. |
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Definition
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Term
| Takes the LCR and Non Discrete surrounds and reduces them to 2 channel. |
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Definition
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Term
| When the goons car explodes at the end of the chase you decide to use the sound of cellophane being handled as a layer of the fire. This would be an example of using ____ to conceptualize. |
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Definition
| sound with no visual congruence |
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Term
| Not counting interns or runners. What is the first position in the SFX editor hierarchy? |
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Definition
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Term
| The scientific study of the human perception of sound. |
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Definition
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Term
| This is the main editing software for games to its ability to batch process. |
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Definition
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Term
| In a spotting a movie this represents the story and the content of the film. |
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Definition
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Term
| To improve speech intelligibilty of dialogue that sounds lispy or consonants that are hard to understand you would be working in the _____. |
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Definition
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Term
| What person is responsible for levels going to tape during a Foley session? |
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Definition
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Term
| If you need to have the sound of a hockey check sync up to in game action, the sound wi need to be _____. |
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Definition
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Term
| This term used to describe programming a sounds behavior and location in the game. |
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Definition
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Term
| Found in the outer ear, the ____ vibrates according to acoustic energy. |
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Definition
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Term
| The only place you will find audio on a digital stage. |
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Definition
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Term
| The foundation of your ambiences will be made up of _____. |
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Definition
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Term
| One of the reasons that the director wanted to cut digitally is because they would only have the ____ of the production audio onthe Mag Stripe, if they cut on film. |
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Definition
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Term
| RE-syncing cues that are not in time is the job of the _____. |
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Definition
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Term
| Process of placing the score and matching it to picture in the event of picture changes after score mix. |
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Definition
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Term
| Once you start designing the backgrounds you find you are having trouble with an obviously repetitive loop. This phenomena is known as the ____. |
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Definition
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Term
| This static cue works best with frequencies between 270Hz-500Hz. |
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Definition
| Interaural Time Difference (ITD) |
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Term
A scene cuts to an on-screen shot of a car window being smashed.
This would be a ____ sound effect. |
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Definition
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Term
| What surface might you use in place of tile? |
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Definition
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Term
| We hear a sound as coming from the direction from which it first reaches us. |
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Definition
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Term
| If the director says it sounds hissy and electronic sounds dull and he wants to create an "airy, sweet, and open" feel. What octave range would you begin working with? |
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Definition
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Term
| Groups of RAM loaded on a level by level basis. |
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Definition
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Term
| After your basic effects are in place you can ___them by adding elements such as subconscious sounds or processed sounds to enhance the overall designed sound. |
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Definition
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Term
| Who selects the mic for the foley session? |
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Definition
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Term
| When creating a worktape and timecode, frame rate that should be used is_____. |
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Definition
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Term
| This is a large acoustically treated room with with cement floors. |
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Definition
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Term
| Which type of Mag Stock has a guide track. |
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Definition
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Term
| This prints edge code on the edited film so we can keep it in sync. |
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Definition
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Term
| In motion pictures the emotion is usually said to come from the ___. |
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Definition
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Term
| Protects against loud sustained sounds. |
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Definition
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Term
| When setting up to work with linear video you need ___and____references for accurate sync. |
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Definition
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Term
| In order to make the most __ frequencies in the human voice standout,you could noost the frequencies between 1khz-3.1khz |
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Definition
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Term
| ___ are the result of final mix. |
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Definition
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Term
| Use of a specific performance by a specific artist. |
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Definition
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Term
| How human beings perceive intensity. |
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Definition
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Term
| In Pro Tools, you can move the end of a 3 beep cue to the beginning of the ghost region, representing the line you are going to record, by pressing ______. |
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Definition
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Term
| As soon as the goon hot wires the car, the director wants the Van Helen song "Running with the Devil" to play from the car stereo. this would be an example of _____ source music. |
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Definition
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Term
| What would you find on channel 2 of a video transfer? |
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Definition
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Term
| This type of editing would require a DigiBeta with no sound to be sent to the picture editor. |
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Definition
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Term
| When doing Foley predubs _____ are fed to 3 channels. |
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Definition
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Term
| Reflections within the first 50-100ms. |
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Definition
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Term
| Written 4 times for every frame of video. |
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Definition
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