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| unnatural figures; images not what people actually looked like |
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| Natural; Idealized forms; More relaxed; Drama, Emotion |
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| Unknown artists; Illustrated manuscripts; Precious materials (gold, gems) |
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| Rise of humanities; Nature; Revival of greek/roman interests; Status of artist elevated; Wealthy patrons |
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| True naturalism; Dramatic; Emotional; Exaggerated lighting |
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| Renaissance; Extreme detail; Credited for creating oil paint |
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| Renaissance; Sfumato (smoky) images |
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| Renaissance; Sculptor; Made to paint by pope |
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| Renaissance; Used Laocoon sculpture in painting |
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| Renaissance; Famous for prints |
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| Baroque; Dramatic lighting; Foreshortening; Wanted for murder |
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| Baroque; Large (muscular) figures |
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| Baroque; Painted metals very well; Spent money liberally, died poor |
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| Baroque; Painted everyday people and things; Liked window in studio and map on wall |
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| term often used to describe the period before written history |
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| Describing a human figure standing so that its shoulders and arms twist off-axis from the hips and legs; This gives the figure a more relaxed and less stiff appearance |
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| Late classical Greek period; Defined by movement, drama, emotions |
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| Artistic style of medieval northern Europe (including architecture, painting, music, etc.); Pointed arches |
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| Designs made with small stones or tiles |
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| A manuscript in which the text is supplemented by the addition of decoration, such as decorated initials, borders and miniature illustrations |
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| Paintings done on plaster on walls or ceilings |
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| Overlays translucent layers of colour to create perceptions of depth, volume and form; "smoky" |
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| a term in art for a contrast between light and dark |
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