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| 28-2 CLAUDE MONET, Impression: Sunrise, 1872. Oil on Canvas, 1′ 7½″ × 2′ 1½″. MusÉe Marmottan, Paris |
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| 28-3 CLAUDE MONET, Rouen Cathedral: The Portal (in Sun), 1894. Oil on Canvas, 3′ 3¼″ × 2′ 1⅞″. Metropolitan Museum of Art, New York (Theodore M. Davis Collection, Bequest of Theodore M. Davis, 1915) |
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| 28-4 CLAUDE MONET, Saint-Lazare Train Station, 1877. Oil on Canvas, 2′ 5¾″ × 3′ 5″. Musée d’Orsay, Paris |
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| 28-5 GUSTAVE CAILLEBOTTE, Paris: A Rainy Day, 1877. Oil on Canvas, 6′ 9″ × 9′ 9″. Art Institute of Chicago, Chicago (Worcester Fund) |
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| 28-6 CAMILLE PISSARRO, La Place du Theatre Frangais, 1898. Oil on Canvas, 2′ 4½″ × 3′ ½″. Los Angeles County Museum of Art, Los Angeles (Mr. and Mrs. George Gard De Sylva Collection) |
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| 28-7 BERTHE MORISOT, Villa at the Seaside, 1874. Oil on Canvas, 1′ 7¾″ × 2′ ⅛″. Norton Simon Art Foundation, Los Angeles |
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| 28-7A AMORISOT, Summer’s Day, 1879 |
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| 28-8 PIERRE-AUGUSTE RENOIR, Le Moulin de la Galette, 1876. Oil on Canvas, 4′ 3″ × 5′ 8″. MusÉe d’Orsay, Paris |
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| 28-9 ÉDOUARD MANET, A Bar at the Folies-Bergère, 1882. Oil on Canvas, 3′ 1″ × 4′ 3″. Courtauld Institute of Art Gallery, London |
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| 28-10 EDGAR DEGAS, The Rehearsal, 1874. Oil on Canvas, 1′ 11″ × 2′ 9″. Glasgow Art Galleries and Museum, Glasgow (Burrell Collection) |
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| 28-11 EDGAR DEGAS, The Tub, 1886. Pastel, 1′ 11½″ × 2′ 8⅜. Musée d’Orsay, Paris |
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| 28-12 TORII KIYONAGA, detail of Two Women at the Bath, ca. 1780. Color Woodblock, Full Print 10½″ × 7½″, Detail 3¾″ × 3½″. Musée Guimet, Paris |
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| 28-13 MARY CASSATT, The Bath, ca. 1892. Oil on Canvas, 3′ 3″ × 2′ 2″. Art Institute of Chicago, Chicago (Robert A. Walker Fund) |
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| 28-14 JAMES ABBOTT MCNEILL WHISTLER, Nocturne in Black and Gold (The Falling Rocket), ca. 1875. Oil on panel, 1′ 11⅝ × 1′ 6½″. Detroit Institute of Arts, Detroit (gift of Dexter M. Ferry Jr.) |
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| 28-15 HENRI DE TOULOUSE-LAUTREC, At the Moulin Rouge, 1892–1895. Oil on Canvas, 4′ × 4′ 7″. Art Institute of Chicago, Chicago (Helen Birch Bartlett Memorial Collection) |
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| 28-15A TOULOUSE-LAUTREC, Jane Avril, 1893 |
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| 28-16 GEORGES SEURAT, A Sunday on La Grande Jatte, 1884–1886. Oil on Canvas, 6′ 9″ × 10′. Art Institute of Chicago, Chicago (Helen Birch Bartlett Memorial Collection, 1926) |
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| 28-16A VAN GOGH, The Potato Eaters, 1885 |
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| 28-16B VAN GOGH, Flowering Plum Tree, 1887 |
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| 28-17 VINCENT VAN GOGH, Night Cafe, 1888. Oil on Canvas, 2′ 4½″ × 3′. Yale University Art Gallery, New Haven (bequest of Stephen Carlton Clark) |
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| 28-18 VINCENT VAN GOGH, Starry Night, 1889. Oil on Canvas, 2′ 5″ × 3′ ¼″. Museum of Modern Art, New York (acquired through the Lillie P. Bliss Bequest) |
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| 28-19 PAUL GAUGUIN, Vision after the Sermon (Jacob Wrestling with the Angel), 1888. Oil on Canvas, 2′ 4¾″ × 3′ ½″. National Gallery of Scotland, Edinburgh |
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| 28-20 PAUL GAUGUIN, Where Do We Come From? What Are We? Where Are We Going? 1897. Oil on Canvas, 4′ 6¾″ × 12′ 3″. Museum of Fine Arts, Boston (Tompkins Collection) |
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| 28-21 PAUL CÉZANNE, Mont Sainte-Victoire, 1902–1904. Oil on Canvas, 2′ 3½″ × 2′ 11¼″. Philadelphia Museum of Art, Philadelphia (George W. Elkins Collection) |
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| 28-22 PAUL CEZANNE, Basket of Apples, ca. 1895. Oil on Canvas, 2′ ⅜″. × 2′ 7″. Art Institute of Chicago, Chicago (Helen Birch Bartlett Memorial Collection, 1926) |
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| 28-22A CÉZANNE, Large Bathers, 1906 |
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| 28-23 PIERRE PUVIS DE CHAVANNES, Sacred Grove, 1884. Oil on Canvas, 2′ 11½″ × 6′ 10″. Art Institute of Chicago, Chicago (Potter Palmer Collection) |
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| 28-24 GUSTAVE MOREAU, The Apparition, 1874–1876. Watercolor on Paper, 3′ 5¾″ × 2′ 4⅜″. MusÉe du Louvre, Paris |
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| 28-24 AMOREAU, Jupiter and Semele, ca. 1875 |
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| 28-25 ODILON REDON, The Cyclops, 1898. Oil on Canvas, 2′ 1″ × 1′ 8″. Kröller-Müller Foundation, Otterlo |
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| 28-26 HENRI ROUSSEAU, Sleeping Gypsy, 1897. Oil on Canvas, 4′ 3″ × 6′ 7″. Museum of Modern Art, New York (gift of Mrs. Simon Guggenheim) |
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| 28-26A ROUSSEAU, The Dream, 1910 |
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| 28-27 JAMES ENSOR, Christ’s Entry into Brussels in 1889, 1888. Oil on Canvas, 8′ 3½″ × 14′ 1½″. J. Paul Getty Museum, Los Angeles |
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| 28-27A BEARDSLEY, The Peacock Skirt, 1894 |
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| 28-28 EDVARD MUNCH, The Scream, 1893. Tempera and pastels on cardboard, 2′ 11¾″ × 2′ 5″. National Gallery, Oslo |
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| 28-29 GUSTAV KLIMT, The Kiss, 1907.1908. Oil on Canvas, 5′ 10¾″ × 5′ 10¾″. Österreichische Galerie Belvedere, Vienna |
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| 28-30 GERTRUDE KÄSEBIER, Blessed Art Thou among Women, 1899. Platinum print on Japanese tissue, 9⅜″ × 5½″. Museum of Modern Art, New York (gift of Mrs. Hermine M. Turner) |
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| 28-31 JEAN-BAPTISTE CARPEAUX, Ugolino and His Children, 1865.1867. Marble, 6′ 5″ high. Metropolitan Museum of Art, New York (Josephine Bay Paul and C. Michael Paul Foundation, Inc., and the Charles Ulrich and Josephine Bay Foundation, Inc., gift s, 1967) |
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| 28-31A CARPEAUX, The Dance, 1867–1869 |
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| 28-32 AUGUSTE RODIN, Walking Man, 1905. Bronze, 6′ 11¾″ high. Museé d’Orsay, Paris |
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| 28-32A RODIN, Burghers of Calais, 1884–1889 |
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| 28-33 AUGUSTE RODIN, The Gates of Hell, 1880.1900 (cast in 1917). Bronze, 20′ 10″ × 13′ 1″. Musee Rodin, Paris |
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| 28-33A SAINT-GAUDENS, Adams Memorial, 1886–1891 |
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| 28-34 WILLIAM MORRIS, Green Dining Room, South Kensington Museum (now Victoria & Albert Museum), London, England, 1867 |
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| 28-35 CHARLES RENNIE MACKINTOSH and MMARGARET MACDONALDMACKINTOSH, Ladies’ Luncheon Room, Ingram Street Tea Room, Glasgow, Scotland, 1900–1912. Reconstructed (1992–1995) in the Glasgow Art Galleries and Museum, Glasgow |
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| 28-36 VICTOR HORTA, staircase in the Van Eetvelde House, Brussels, 1895 |
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| 28-37 ANTONIO GAUDI, Casa Milá (looking north), Barcelona, Spain, 1907 |
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| 28-38 ALEXANDRE-GUSTAVE EIFFEL, Eiffel Tower (looking southeast), Paris, France, 1889 |
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| 28-39 HENRY HOBSON RICHARDSON, Marshall Field wholesale store, Chicago, 1885–1887 (demolished 1930) |
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| 28-40 LOUIS HENRY SULLIVAN, Guaranty (Prudential) Building (looking southwest), Buffalo, New York, 1894–1896 |
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| 28-41 LOUIS HENRY SULLIVAN, Carson, Pirie, Scott Building (looking southeast), Chicago, 1899–1904 |
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