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| The material means of making ART such as Paints-Oil, acrylic, watercolor, tempera, fresco, encaustic AND the techniques involved |
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| Figure-ground relationship |
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| the inter-dependence of the positive & negative shapes in a composition |
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| Gives the illusion of volume (roundness) and light scource |
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| strong dissimilarity of color, value, texture, etc. |
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| near or exact matching of the two halves of a composition |
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| “Fresh”, as in WET PLASTER |
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| a line in a composition that is not actually drawn, but is perceived by the viewer |
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| has no recognizable subject; purely formal ( Also “nonobjective” or “nonfigurative” ) |
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| A method of printmaking which involves immersing the printing plate in an acid bath is |
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| Raised areas (for example - WOODCUTS) |
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| translucent ( the white is the paper only) |
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| the illusion of depth is created by changing color, value, and detail |
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| 2 flavors: GEOMETRIC / ORGANIC |
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