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Equal visual weight on either side of the pictorial axis using dissimilar objects and placements. |
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| Equal visual weight on either side of the pictorial axis using dissimilar objects and placements |
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| To unify through the mind of the viewer. this refers to the viewer's mind completing an image, to put together a visual puzzle. |
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| The arrangement of visual element such as lines, spaces, tones, and colors in a work of art. |
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| To unify by placing elements with in a frame, boundary, or container. |
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| To unify through the fluid movement from one element to another; this can be either implied or actual connections. |
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| The degree of difference between compositional parts or betweeen one image and another. |
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| Used to attract attention and increase visual and conceptual impact. |
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| The physical manifestation of an idea. |
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| A theory of visual perception that emphasizes the importance of the holistic composition. according to this theory grouping, containment, repetition, proximity, continuity, and closure are essential aspects of visual unity. The whole is greater than the sum of its parts. |
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| The first step in the Gestalt process. we preceptually group visual elements by location, orientation, shape and color. |
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| a design created through systematic repetition. based on a module or visual unit. |
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| The relative size of visual elements within an image. |
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| To unify by placing visual elements near one another. |
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| Visual elements are mirrored vertically and horizontally, with the center acting as a focal point; all elements are balanced around and radiate from a central point. |
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| To unify by using the same visual element or effect over and over. |
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| Multiple units presented in a deliberate pattern. |
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| The size of a form when compared to the human eye. |
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| The person, object, event, or idea on which an artwork is based. |
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| Visual elements are mirrored on either side of the central axis. |
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| Similarity, oneness, togetherness, cohesion in excess can be monotonous. |
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| The inclination of shapes to float or sink, or the relative importance of a visual element in a design |
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