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Latin "to or against the man," this is an argument that appeals to emotion reather than reason. |
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To represent an abstraction in addition to the litteral menaing. |
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The repitition of sounds. ex: 'she sells sea shells' |
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A direct of indirect reference to something commonly known, such as an event, book, myth, place, or work of art. |
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| The multiple meanings[intentional or unintentional]. |
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A similarity or comparison between two different things. |
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| The word, phrase, or clause referred to by a pronoun. |
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A terse1 statement of known authorship which expresses a moral principle. 1:Brief and to the point; effectively concise |
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A figure of speech that directly addresses an absent or imaginary person or personified abstraction such as liberty or love. |
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| The emotional mood created by the entirety of a literary work |
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| An independent, or main, clause expressed a coplete thought and can stand alone as a sentence. A dependent, or subordinate, clause cannot stand alone as a sentence and must be accompanied by an independent clause. |
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The use of slang or informalities in speech or writting. |
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| A conceit displays intellectual cleverness due to the unusual comparison being made. |
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The non-literal, associative meaning of a word. |
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| The strict, literal,dictionary definition of a word. |
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| A fact or point of information that forms a larger picture or story. |
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| Related to style, diction refers to the writer's word choices, especially with regard to their correctness, clearness, or effectiveness. |
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| The omission of a word or several words necessary for a complete construction that is still understandable. |
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A pithy1 saying, often using contrast. 1:Precisely meaningful; forceful and brief |
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| Greek "good speech" euphemisms are a more agreeable or less offensive substitute for a generally unplesant word or concept. |
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A metaphor developed at great length, occurring frequently in or throughout a work. |
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| Writing or speech that is not intended to carry a literal meaning. |
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| A device used to produce figurative language. |
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| This term describes traditions for each genre. These conventions help to define each genre; for example they differentiate between an essay and journalistic writing or an autobiography and political writing. |
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| The major category into which a literary work fits. The basic divisions of literature are prose, poetry, and drama. |
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Characterized by distortions or incongruities1
1:Lacking in harmony; incompatible |
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| This term literally means "sermon," but more informally, it can include any serious talk, speech, or lecture involving moreal or spiritual advice. |
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| A figure of speech using deliberate exaggeration or overstatement. Hyperbole often has a comic effect; however, a serious effect is also possible. |
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| The sensory details or figurative language used to describe, arouse emotion, or represent abstractions. |
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| To draw a reasonable conclusion from the information presented. |
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| An emotionally violent, verbal denunciation or attack using strong, abusive language. |
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| The contrast between what is stated explicitly and what is really ment. |
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| The special language of a profession or group. |
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A type of sentence in which the main idea comes first, followed by dependent gramatical units such as phrases and clauses. |
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| A figure of speech using implied comparison of seemingly unlike things or the substitution of one for the other, suggesting some similarity. |
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Greek:"changed label" or "substitute name" a figure of speech in which the name of one object is substituted for another closely associated with it. |
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| Methods used in telling a story. |
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A figure of speech in which natural sounds are imitated in the sounds of words ex: buzz, hiss, hum, crack, etc. |
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The narrator of the story knows and tells, what is in the minds of all the characters. |
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Greek: "pointedly foolish" A figure of speech wherein the author groups apparently contradictory terms to suggest a paradox. |
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| A statement that appears to be self-contradictory or opposed to common sense but upon closer inspection contains some degree of truth or validity. |
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Greek: "beside one another" ex: A famous example of parallelism begins Charles Dickens's novel A Tale of Two Cities: "It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity..." |
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A work that closely imitates the style or content of another with the specific aim of comic effect and/or ridicule ex: Mark Day[YouTube comedian] 'this video is for parody purposes only' |
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| An adjective that describes words, phrases or general tone that is overly scholarly, academic, or bookish. |
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| A sentence that presents its centeral meaning in a main clause at the end. |
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| A figure of speech in which the author presents or describes concepts, animals, or inanimate objects by endowing then with human attributes or emotions. |
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| In literature, the perspective from which the story is told. |
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| One type of subject complement -an adjective, group of adjectives, or adjective clause that follows a linking verb. |
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| A noun, group of nouns, or noun clause that renames the subject. |
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| One of the major divisions of genre, prose refers to fiction and nonfiction, including all its forms, because they are written in ordinary language and most closely resemble everyday speech. |
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| The duplication of any element of language, such as sound, word, phrase, clause, sentence, or grammatical pattern. |
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| The techniques of language an author may use to accomplish his purpose. |
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Greek: "orator" This term describes the principles of governing the art of writing effectively, eloquently, and persuasively. |
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| This flexible term describes the variety, the conventions, and the purposes of the major kinds of writing. |
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| Devices of effective or persuasive language, such as contrast, repetition, rhetorical question, paradox, understatement, syllogism, and the many statagies of argument discused in a speech textbook. |
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A question asked for effect, not in expectation of a reply. |
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Greek: "to tear flesh" Sarcasm involves bitter, caustic language that is ment to hurt or ridicule someone or something. |
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A work that targets human vices and follies or social institutions and conventions for reform or ridicule. ex: irony, wit, parody, hyperbole, sarcasm etc. |
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| The branch of linguistics that studies the meaning of words and their connotations. |
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| An explicit comparison, normally using like, as or if. |
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The way an author uses language to convey his/her ideas. |
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| The word or cluse that follows a linking verb and compliments, or completes the subject of the sentence. |
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| This -like all clauses- contains both a subject and a verb. The Subordinate clause depends on a main clause. |
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Greek: "reckoning together" A syllogism is a deductive system of formal logic that presents two premises[major and minor] that inevitably lead to a sound conclusion. |
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Anything that represents or stands for somthing else. |
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| The way to an author chooses to join words into phrases, clauses and sentences. |
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| The centeral idea or message of a work, the insight it offers into life. |
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| In expository writing, the thesis statement is the sentence or group of sentences that directly expresses the author's opinion, purpose, meaning, or proposition. |
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Author's attitude toward his or her material. |
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| A word or phrase that links different ideas. |
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| An understatement presents something as less significant than it is. |
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The attitude of the narrating persona towards events, other characters, or ideas. |
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| Intellectually amusing language that surprises and delights-humorous. |
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