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| verse of unrhymed lines, usually of iambic pantameter |
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| not appealing to the taste; repulsive/somewhat salty |
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| harsh or discordant sound |
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| marked by or inclined to querulous and often perverse behavior |
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| to engage in extraordinary behavior; to leap or dance in a lively manner |
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| rapidity of motion or action |
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| one of the attributes or features that make up and distinguish an individual; one of the persons of a drama or novel |
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| artistic representation of human character or motives |
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| an inverted relationship between the syntatic elements of parallel phrases (to stop too fear, and too faint to go |
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| the point of highest dramatic tension or a major turning point in the action |
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| logically or aesthetically ordered or integrated; having clarity or intelligibility |
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| of or relating to conversation |
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| a sentence with 2 independent clauses, often joined by a conjunctuin or conjunctions |
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| specefic details that form the backbone or core of the body paragraphs. include facts, examples, illustrations, proof... |
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| displaying a patronizingly supreior attitude |
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| competitive or opposing action on incompatibles; antagonistic state or action |
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| to change from a fluid to a sp;od state by or as if by cold; to make fixed, rigid, or immoble |
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| a suggested meaning of the word apart from the thing it names or describes |
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| the parts that surround a word or passage and can throw lights on its meaning; the interrelated conditions in which something exists or occurs |
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| a formal, solid, and binding agreement; a written agreement or promise |
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