Term
| Ghiberti, Sacrifice of Isaac, 1401, Museo Nazionale del Bergello, Firenze |
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| Brunelleschi, Sacrifice of Isaac, 1401, Museo Nazione del Bargello, Firenze |
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| Donatello, St George and the Dragon, 1417, Museo Nazionale del Bargello, Firenze |
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| Donatello, St George, 1417, Museo Nazionale del Bargello, Firenze |
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| Donatello, Attis or Amor or Mercury, 1430, Museo Nazione del Bargello, Firenze |
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| Donatello, David, 1430, Museo del Bargello, Firenze |
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| Dontello, David, 1409, Sala dei Gigli in Palazzo Vecchio |
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| Michelangelo, Bacchus, 1496-1497, Museo del Bargello |
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Influence on competition panel (sacrifice of Isaac)
Brunelleschi used thorn puller to differentiate foreground from background |
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| Ghiberti used these as examples of portraits for his "Sacrifice of Isaac" |
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| Nanni di Banco, Four Crowned Martyr Saints, 1409-1417, Orsanmichele |
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| Ghiberti, St Matthew, 1419-1423, Orsanmichele |
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| Donatello, Saint Mark, 1411-1413, Orsanmichele |
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| Ghiberti, St John the Baptist, 1412-1416, Orsanmichele |
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| Masaccio, Tribute Money, 1426-1427, Brancacci Chapel |
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| Masaccio, The Baptism of the Neophytes, 1426-1427, Brancacci Chapel |
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| Masolino, Temptation, 1426-1427, Brancacci Chapel |
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| Masaccio, Expulsion from the Garden of Eden, 1426-1427, Brancacci Chapel |
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Donatello, The Ascension with Christ giving the Key to St Peter, London, Victoria & Albert Museum
Finest surviving examples of Donatello's work in rilievo schiacciato (squashed relief), a technique he developed |
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