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| Set distance and angle from which the piece is vewed |
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| Has only height and width, but not depth |
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| Gradiation of lights and darks |
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| Size in relation to another object |
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| Low relief, or Bas-relief |
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| Shallowest form of relief |
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| Forms are brought more fully off the flat surface, for a nearly sculptural effect |
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| Description applied to any fully three dimensional piece, no matter how large or small or how shaped |
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| The experience of walking through a piece of art, rather than just walking around it |
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| Reduction of details in order to focus on a things essence |
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| A particular wa of approaching a work with consistancy |
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| Subject matter plus all its emotional, intellectual, symbolic, spiritual, and/or narrative impications |
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| Designed environments installed in musuems, sometimes temporarily |
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| Where the piece is presented |
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| Piece dependant on setting |
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| "fool the eye" Denial of characteristics of the medium |
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Form Space Line Texture Light Color |
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Repetition Variety Rhythm Balance Emphasis Economy Proportion |
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| The coordination of all partsof a work to express their intent |
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| Lines the activate space to draw attention |
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| Meatn to be touched, climbed on, or swung from by viewers |
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| Large-scale, 3-D projects involving physical alterations of the earth's surface for aesthetic surfaces |
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| Using objects exactly as they come from nature, or make only minimal changes to the surface of your chosen material |
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| Optically percieved visual texture that does not correspond with the actual texture of the marterial |
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